Oh, hey! Howโ€™s it going? Nice to see you, you look great. My name is Brenner, and I like to duelโ€ฆ with pianos.

My tale begins in a land far-away, in a little country called Brazil. I came to America when I was around eight years old with as much English in my arsenal as there are Amish people living in Manhattan. Through school, however, I quickly learned not only the American language but also its distinctive culture. I was immediately intrigued by American music, and when I was ten, my parents bought me my first keyboard after they noticed that every time we went into a Sears or Walmart Iโ€™d run straight to the instrument section and would want to stay and play the display keyboards for hours on end, not knowing what the heck I was doing, but somehow intrinsically drawn to the primal language of music.

From then on, I would tinker around on my shiny new keyboard, still not knowing what I was doing. Itโ€™s funny, because I remember Iโ€™d get so frustrated at the fact that I just couldnโ€™t get both my right and left hand to work together for the longest time. But yet, somehow I always found my way back to that keyboard, swallowed my little kid pride, and kept trying. Then, I distinctly remember that suddenly one-day things just seemed to have *clicked*, and shortly after I officially learned my first song with both hands: โ€œThe Entertainerโ€ by Scott Joplin. Now, it was not good by ANY standards, but I could do it, and it felt so good it sparked a huge burst of motivational energy that carried me to learn a lot more about not only piano but music in its entirety. I learned most songs by ear at the time, but I had realized it would be immensely helpful to also learn how to read music, especially since I LOVED ragtime so much right from the beginning. And ragtime is no joke, so I taught myself a little bit of music theory and how to read sheet music through some beginner books I had paid for with my limited allowance at the time, which lead me to expand my musical theory as well. By fourth grade, I had completely learned โ€œMaple Leaf Ragโ€ by memory, note for note, which remains one of my favorite pieces to play on the piano. I remember one of the absolute highlights of my childhood years was being able to perform the piece as a solo during a school-wide music recital in a packed auditorium and receiving a standing ovation when I finished. It felt surreal, especially for a little kid.

Fast forward many awkward teenage years, and about a year after I graduated college at Bridgewater State University, I was invited to my first Dueling Pianos experience for a friendโ€™s birthday party. That bar was Point Street Dueling Pianos, then located in Providence, Rhode Island. I had no idea what I was in for, and initially, I thought the show would be boring, picturing two Beethoven-esque performers in funny wigs attempting to outdo one another throughout the whole night. When I actually saw the show, however, my life changed. It was pure music magic. I had no idea how these performers pulled off what they did, taking requests for ANY song on the spot, new and old, and executing it in such a high caliber manner. I was blown away, and now extremely curious about this unique show thatโ€™s always bursting with fun, contagious energy.

And honestly, the rest is history. I was given the immense opportunity to work for Point Street shortly after that fateful day and enjoyed over four years of learning from true masters of the craft. Nowadays, Iโ€™ve branched out into playing a variety of different types of Dueling Piano shows – not only Dueling Piano bars (which will always hold a special place in my heart), but also parties, corporate events, and another one of my favorites – weddings! Iโ€™ve realized, though, that it really doesnโ€™t matter what type of event it may be. At the end of the day, my job is to have fun wherever I go and through music, help others do the same. Hope to rock with you soon!!